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With the versatility of sneakers for everyday life, including their ability to stand their ground for all occasions, the Kenzo Move follows the same trajectory as the collection itself.Next stop: A psychedelic, futuristic atmosphere unveils the unreal set that Prada has chosen for the Spring Summer Fashion Show.Workwear versus tailoring.The collection features the products she considers essential: Authenticity verified.The urban section features lightweight lycras that are highly breathable and suited for warm Spring temperatures.
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The video can be watched on the webpage: This season she envisions a post apocalyptic time where humans strive to survive in an underworld made of infinite darkness, waiting for the right moment to resurface.Playing with double entendres is a trademark of the Dadaist mood board that definitely urges one to take a walk on the wild side.There is a lot of material, though.This is Olivier Lapidus' language and vision, which the digital couturier brings at the historical Maison.There is no need to say that Christian Louboutin knows exactly what glamorous women want: Condition see all.
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The classic Running Shoes available in different versions and the traditional mountain Boot are both revitalized classics, rejuvenated through the use of the most modern manufacturing techniques.Once again, Simons has collaborated with artist Sterling Ruby, this time for the runway design: Reminiscent of old blockbuster horror flicks, the show seemingly could have taken a sinister tone.
Instead, it felt lighthearted and embracing of over-the-top carnage and theatrics; perhaps a playful hint of how the world perceives America as a whole?Moose Knuckles, founded in , was established based on the goal of creating the leanest, toughest and most luxurious sportswear.
And no one would be more adept at making indestructible outerwear than the Canadians: Their first two iconic styles, the Stirling Parka and the Ballistic Bomber, became instant success stories, and have kept many Canadians, and snow bunnies worldwide, warm since then.
Moose Knuckles have continuously delivered resistant and stylish waterproof coats, lightweight jackets, knitwear, shirting and accessories.For their new campaign, Moose Knuckles took us many years into the post-apocalyptic, barren future of the year Capable of surviving even in that climate, thanks to their toasty outerwear, a group of four fearless women and men travel perpetually in search of food, supplies and, most importantly, joy.
The pack venture into the great northern wilderness of Canada, braving harsh winds and snowstorms, and come upon a civilisation build on the love of music, company and celebration.A perfect companion in our dark times, Moose Knuckles snug apparel will most definitely get you wherever you want to go in the harshest of climates.
Right in the middle of this colorful cultural hub is the Weinmeister hotel, which welcomed the art style that made its neighborhood famous: Fashion hunters can flock to the nearby Herckescher Markt to discover the latest German designers, or get their high-end fix at the Friedrichstrasse.
A five minute walk from Alexanderplatz, the Weinmeister is in the perfect location to explore the best that Berlin has to offer, day or night.As the models walked in squads, there was a strong sense of group, of subtle genderless interpretations.Oversized sporty for him, layered - at a time short - dress for her.
Abe's playing with different elements between the formal and the sporty, the sculptural and the sleek almost in an ode to freedom at its core.But also a new streetwear simplicity declined for both sexes.Oversized, sculptural jackets with fringes hinting to Western Americana with sculptural bell sleeves for her or a sporty silhouette for him.
The collaboration with pioneer conceptual artist Lawrence Weiner and his typographic artwork was another take in terms of that freedom of expression Chitose Abe reaffirmed looks after look.Workwear versus tailoring.Lucas Ossendrijver's virtuoso for Lanvin Men's Spring Summer exploded in a spectacular intricate composition where a dualism of silhouettes and materials merged as the model stormed in a situationist walk.
The factory worker jumpsuits, the tailored pants, the tech sporty anorak but in a checked classic English fabric, beautiful asymmetric knitwear and a strong vision that has graced Lanvin Menswear for more than 10 years.Reworked coats graced with graphic motives or with contrasting neon lining sometimes made into a reversible look.
Trousers constructed with double sides where checked classic fabric at the front is mixed with a tech sporty finish at his back beautifully seamed together with a visible stitch.The check again — as in last Fall Winter collection — is one of the protagonists.That play of the unexpected that Lucas Ossendrijver's delivers also in the accessory collection for Lanvin for Spring Summer It is an incredible collection of several influences, ideas, many genres, whispering one message: From ready-to-wear and fur to bags, shoes and accessories, the entire range is permeated with an uplifting optimistic mood that is echoed on the garments themselves through the word of the Fendi Vocabulary.
When times are tough, optimism remains a shiny beacon of hope.Michael Borremans has launched his sixth solo exhibition at Zeno X, a Mecca of contemporary painting in the heart of Antwerp, Belgium.Sixteen Dances , the title of the show, is primarily a reference to the changing and multi-faceted nature of painting, and how the medium has the ability to forever adapt to the contemporary zeitgeist.
The paintings are structured into three series: The paintings function almost as vignettes, which give the exhibition a cinematic feel: This gives an ambiguous and dark atmosphere, encapsulating the morbid and grotesque scenes present in the paintings, such as babies dancing covered in blood and figures in straight jackets.
Borremans undoubtedly takes references from Bosch, Bruegel and Goya in this series of works, which questions the morality of human nature and exploits its subconscious savagery and cannibalism.While absorbing these haunted tableaux, viewers are left feeling dread and disorientation: The exhibition will run until October 14th Hints of Indian mysticism and talismans manifest themselves along with sacred cows, elephants, tantric couples and Tarot figures within quintessentially Etro paisley patterns.
Lightweight, multi-coloured blazers with paisley prints and coloured Madras checks are all the rage while raw wool combinations ensure that the pieces remain light enough for the warmer months.Ornamentation also plays an important role in the collection.Japanese style is synonymous with clean lines and simple silhouettes, tailoring does the talking and superfluous intricacies are omitted for the sake of refinement.
This clearly hit a nerve with Mr.Elegant tuxedos and martial arts-inspired Kimonos walked the runway alongside urban and sleek suits that were Armani through and through, upholding years of tradition.The Far East may have served as Mr.Elements of Japanese iconography were discreetly present on sporty boxy jackets and parkas that were in turn layered on ankle-length culottes or breezy silk cargo pants.
Familiar and Armani, yes.Ordinary, not so much.Convoluted as the meaning of that phrase may be, for Marni it acted as the catalyst for a collection that preaches the enjoyment of life through self-discovery.In his second collection as creative director for Marni, Francesco Risso offered a collection of wearable clothes with a non-conformist touch.
An air of randomness characterises the collection of roomy trousers and shirts that appear to have been de - and then re-constructed, sometimes held together with the fabric swatches for a DIY allure.This is office wear on holiday, where a tie on the beach is just as relevant as sailboats on a suit and Jamaican accents paired with a dash of the 20s.
Knits appear shrunken and unfinished with their misaligned stripes.Rules appear to have been thrown out the window here as the Marni man dresses himself freely, as if he were a collector of moments who may intentionally leave items behind only to retrieve them later.Perhaps even finding himself along the way.
Down-filled looks made with over-sized plastic zippers and worn over identical looks without the down-filling epitomise the concept of smooth change.The collection was split into three colour-coded subcategories: Trademark Thom Browne tailored pieces were present in traditional suit material iterations as well as more technical versions that incorporated highly functional fabrics such as technical wool and cashmere, nylon, ripstop, mesh and rainproof slicker.
From the 5th to the 7th of May , the sixth edition of The Amsterdam Trail and its unique approach to art are coming to the Dutch capital.Unexpected combinations that explore time and origin arise as artworks dating back to BC, Egyptian mummies and contemporary videos are visited.
Additionally sculptures, jewellery, images and even chairs designed by Wieki Somers who drew inspiration by the austere furniture still in use in China, will be shown.As the lines between ethnography and contemporary art seem to fade into each other we are left to wonder what constitutes contemporary art and what is ethnography.
Miuccia Prada is not new to strong statements during dark times like the current political atmosphere.And she does it in the most dramatic and fun way we have known her for.Mix-matched with sultry embellished silk gowns in soft powder pink and multicolour sporty striped knitwear.
A powerful woman who is not afraid to show off her girly femininity.Miuccia Prada knows how to energize a tired crowd at the end of an intense fashion week calendar.It was all about that: Wrapping oversized fuzzy coats, at times embellished with bejewelled belts, but also matching furry caps, and obviously the spectacular portfolio of accessories to give the final blow.
Describing Alexander McQueen Fall Winter as romantic and ethereal would certainly be an understatement.Inspired by the fascinating tales of Celtic traditions like the Cloutie wells and the medieval tales of King Arthur, the collection recalls the beauty of the shores in Cornwall, its magic ancient rituals and enchanting stories.
Knit and washed leather dresses are pierced with trailing of coloured lacing in silk, resembling the tradition of fastening a strip of cloth on a tree as votive offering, the wishing tree.This long and feminine silhouettes underlining the female body recall the English mediaeval soft dressing as found in 16th and 17th century art depicting the beautiful tragic stories of Lady of Shallot and Queen Guinevere.
Sarah Burton gives us a full vocabulary of spectacular fabrics, embroideries, finishes, enabling us to dream about the rich landscape of myths and cultures of Cornwall.A tweed interlaced with bright coloured twisted yarns and chiffon stripes of fuchsia, crimson and green.
The medieval-inspired needlework cross-stitching embroidered on the fluent dresses and finished with silk trailing threads, floating around as the body moves: It is a touching collection, youthful and powerful.The last sequence of evening dresses in silk tulles with an overwhelming embroidery work, glass beads, stones, fringes, loose thread and the house favourite feathers, give the final emotional blow for this magic collection www.
Geometric and graphic lines adorn the heels and boots for this strong and architectural collection.The austerity of black in contrast with lurex and silver mirror smooth leather uppers, plexi-heels, pearls inlaid into a metal frame sole and luxurious black suede, adorn the collection in a play of contrasts.
The name of the collection also refers to a new fabric created by Kirkwood: Sweatshirts and tees wrapped around the head, mimicking early ritual ceremonies.Coats, skirts, sleeveless jackets layered and twisted over the body recalling sacred costumes.Rick Owens for Fall Winter designed a collection channelling the need for a positive new beginning rooted in the idea of collectivity, of gathering together, of human kind in its social form.
It had a sense of austerity, of deep hope for a better future.As the model walked in the dry space of Palais de Tokyo, one following the other and randomly walking around the space it felt as a vortex of shapes, volumes and lengths was wrapping up the audience.Deconstructed silhouettes of puffa jackets, blasers together with leather dresses pulled down and worn as captured in the second of taking them off.
There was a strong sense of moving on, of change and positive transformation for a designer who has been building his reign on shades of darkness.Rick Owens chose a colour palette recalling his early work: It was as if the designer was looking for the initiation moment.
The rebirth, the celebration of a future soon to come.Marina Abramovic, one of the most recognised artists of our time, has often utilised her body and the concept of presence as her primary artistic media.Her self-exposure as a means of artistic expression has garnered her criticism and praise in equal measure.
Controversial as she may be, her work has earned her a place in the spotlight, a place that she continues to uphold to this day.It presents several of her best-known performances, including the Relation Works with German artist as well as former collaborator and partner, Ulay.The works take the form of live performances, films, installations and photographs dating back to the 70s and taking us all the way to the present day.
Early paintings, and works on paper — some of them exhibited for the very first time — are also part of the exhibition.A tumultuous childhood and an upbringing rife with religious and revolutionary undertones, shaped the Belgrade-born artist's worldview and played a pivotal, highly influential role in her career.
Her work seeks to decipher and explore complex concepts such loss, memory, being and pain.Abramovic doesn't shy away from existential questions and interprets them in ways that may both provoke and move her audiences, delving deep into both the physical and the mental pain threshold in her own unique way.
Their halfway meeting marked the end of their love affair and more than ten-year partnership.A selection of the artist's performance works will be re-performed in the exhibition by specially-trained performance artists who will lend their talents to works such as Cleaning the Mirror where one person carefully scrubs clean a human skeleton in a confrontation with morality, Freeing Series where voice, memory and body are set free, and Art Must Be Beatiful, Artists Must be Beautiful where the same phrase and actions are repeated obsessively, almost like an incantation.
The exhibition will run from the 18th of February to the 21st of May Remaining true to his allegiances, Simons enlisted the help of friend and artist Sterling Ruby, giving him free reign to imagine artwork appropriate for the iconic brand's headquarters.Ruby imagine America.Raf Simons and Calvin Klein Creative Director, Pieter Mulier created a collection that featured both women's and menswear for Fall and is in itself an homage to America.
It's the future, the past, Art Deco, the city, the American West Not one era, not one thing, not one look.It is the coming together of different characters and different individuals, just like America itself.It is the unique beauty of emotion in America.Marching band uniforms, plastic coated protection, power broker tailoring and antique handcrafted quilting, workwear and westernwear made for this unique parade.
The collection finds equal merit in folk and function, food court and courtroom in a romantic and filmic outsider's view of the uniqueness of America.These figures do not offer contact.Their faces are blank, vanishing.Is exactly this blankness that took Iris to project on to the image looking at the very anonymity of those faces as an invitation to the viewers to bring something of their own being surrounded by powerfully immersive and contemplative figures.
Moreover the figures in the newer works from the German artist are often accompanied by a symbolic animal that is more idea, atmosphere, and energy, more a sprit guide that brings a strange, irritating and inspiring energy rather than a flesh and bones companion.In muted shades of black and grey, with only the thinnest veil of oil wash in faded aquamarine or yellow, the overall impression of the palette is decidedly monochrome.
The figures are resolutely not portraits; the final creation is given by a work of research through images of unknown people like photos, sketches, ripped pages of magazines, combined with her drawing and creativity, in order to give birth to an incredible mix between classic paintings and current graphic novels.
The exhibition will run until April 26th www.Woolrich continues its long-standing tradition in conceiving and manufacturing technical outerwear of exceptional quality, a tradition born in the late 70s that has continued to be well-received by avid mountaineers.The brand is relaunching its Mountain Jacket, one of the first examples of technical outerwear that ushered in the expansion of men's outdoor clothing in order to cater to the requirements of outdoor activities such as backpacking, camping and cycling.
Designed with functional elements that suit the requirements of such activities, Woolrich's latest edition of the Mountain Jacket strikes the perfect balance between style and function thus also catering to the more aesthetically driven consumer.A more contemporary style is brought to the fore ensuring maximum freedom of movement, comfort and warmth with its form-fitting cut, adjustable cuffs and ergonomic style.
Despite the air of innovation that characterises the latest jackets, the brand loyally adheres to the design elements of the late 70s that proved so successful in the past.I stood up, and as I walked toward my own apartment, I thought, I want to become like this glass.And then I want to reflect this smooth white curving myself.
Puffer jackets in aluminium silver as reminiscent of drug wrappers, Coca Cola-red sweatshirts with Heroin written in the same typography as the iconic American drink, sweaters in psychedelic orange and blue tones serving as glimpse of post-drug hallucinations.The T-shirt and leather sweatshirts in collaboration with former English fashion designer and illustrator Charles Anastase, all point in the same direction.
Yet Morikawa presented a collection with a composite of Japanese nostalgia.Like the summer nights spent wearing Jinbei — but here transposed in leather and denim — or those high school times — with the tartan motifs from school uniforms juxtaposed here with urban silhouettes.Christian Dada is beautifully grown up and we are looking forward to seeing the evolution of the brand.
Curiosity and experimentations brought this project to life creating a capsule collection, its pieces a prototype of the latest in denim innovation.The collection features a brand new 3D denim concept: An ergonomic study of the human body in motion gave birth to Motac, created to make garments with perfect fit and versatility thanks to a combination of rigid denim and flexible fabric panels.
Tradition and innovation were brilliantly fused together.Perbandt's anti-cyclical collection for the colder seasons featured visionary garments that play with the slightest of contrast between black and white and gender.The designer is famous for touching upon human limitations delicately, forgetting about diversity and giving birth to a brand that strikes the perfect balance between androgyny and independence.
Esther Perbandt has been internationally recognised for her trademark stage productions.Blue evokes feelings of rebellion, frustration, incomprehension that surround troubled youth.Reaching out to our inner adolescent, the collection revolves around the concept of deconstruction that is obtained with sophisticated methods of shaping and layering.
Mixing Eastern and Dadaist aesthetics, designer Masanori Morikawa plays with classic tailored jackets worn like kimonos wrapped around T-shirts and striped pajamas.Trench coats morph into tunics and army bombers and denim jackets are ripped into and skinned to expose their bone structure.
Tartan motifs and schoolboy sheepskin jackets collectively pay homage to College fashion.Playing with double entendres is a trademark of the Dadaist mood board that definitely urges one to take a walk on the wild side.Inspired by 'Independent People' by Nobel Prize winning author Halldor Laxness, the collection plays with the colors of Icelandic landscapes ranging from chalk grey to yellow.
Shades of ice, brown and lava are chosen to give life to coats, parkas, heavy felts and comfortable shapes designed to face the harsh temperatures of Nordic winter in style.Military cotton and heat-sealed waterproof wool make coats and blousons, put together by big Velcro stripes.
The collection's prints are a new take on glitch art that plays with disintegrated images.The latest Z Zegna collection takes you on a vintage ski trip for Pitti Uomo , a sporty-chic mood that nobody expected but many welcomed.For the first time the Italian brand presented a line that combines tailoring and performance evolution.
For the slopes and the streets, the proposal is a Techmerino total look that takes a quintessential role in this season where layering is key.The brand decided to converge comfort and excellence in a savvy colour palette that pays tribute to the textile innovation Z Zegna is known for.The hype around sneakers has never been so present.
Two limited edition and revamped Adidas sneakers to be launched during Paris Fashion Week will be part of this January's exchange.The Campus 80 is bright, in white leather with a royal blue heel while the EQT Support's darker influences are manifested through its deep navy blue shades.
Both models are playing with the concept of opposites, pairing and simultaneously contrasting influences, ideas and cultural currencies, personifying perfectly the concept of the exchange.Givenchy's latest campaign has just been released and the abundance of the brand's signature codes do not go unnoticed.
Shot by photographers Mert and Marcus and designed as a double page spread, the campaign plays on the concept of duality and features powerful men and women whose intrepid natures manage to withstand space and time.A well-balanced blend of feminine and masculine elements that remain classic and chic are the focal points of the campaign.
Two girls become twins by dressing identically and a boy plays fashion chameleon by rocking a formal and a streetwear look in a Mars-like landscape.Pair the adventurous nature of the above with the tightly cropped portraits of Givenchy's personality gang and you are given the impression that, although they appear different they do in fact to belong to the same style-savvy tribe.
Of course, Givenchy's now iconic Horizon and Cross Body bags could not be left out of the equation.Serving as a mark of recognition for the brand, their presence encapsulates the luxury label's long-standing fame while looking towards a future of duality.For the occasion, the American tennis brand turns its classic '66 model into a fashionable camouflage sneaker featuring, its now famous, ape-inspired pattern.
This makes for a fresh, new take on the brand's most iconic silhouette.American iconography is reflected all over the collections through juxtaposing unexpected images and familiar, nostalgic themes.Moreover, at the heart of the project a tougher take on masculinity takes over, celebrating those who are brave and bold enough to subvert conventions and status quo.
Exclusive design for an exclusive experience.Like a bright flower blossoming in the heart of Paris, Le Narcisse Blanc is a contemporary pleasure dome where guests can breathe the magic of the French capital.Situated between the Eiffel Tower and Les Invalides, this 5-star hotel and spa casts an incredible view to the Seine and the most majestic Parisian buildings from its bohemian terraces.
Le Narcisse Blanc offers the proper Art de Vivre feeling through its cozy sitting rooms, luxurious spa with swimming pool, hydrotherapy massage jets and sauna and last but not least its 37 spacious bedrooms and suites in silky champagne tones.With a series of videos in an intimate setting, featuring famous families, the Peekaboo bag is celebrated as if it had become an invaluable family member itself.
Following the likes of the Kardashians, the McGregor sisters or the pink-haired twins Ami and Aya, is the Italian businesswoman, entrepreneur and influencer Chiara Ferragni.The invited guests only counted the most inner circle of her family, the husband, rapper Fedez, her mother Marina di Guardo and the two sisters, Francesca and Valentina.
FENDI spares no cost, presenting her an imposing birthday cake, matching the breathtaking setting, which had been additionally decorated with a variety the brands exquisite leather bags.For Yasmine, the concept is always the focus.Conceived as an experimental installation, THE CURE reads as an interpretation of our inner spiritual substance with a deep therapeutic message associated with the notion of time and the philosophy of karma with its idea of renaissance after each failure moment creating an influential emotional charge reflecting forgiveness and self-reconciliation.
It includes an armchair, a pendulum clock and a wall mounted lighting fixture.Each piece has a special significance related to the theme, Yasmine explains: Third element is a wall-mounted light represented by a halo or an aureole with rays of light in a circular shape symbolizing the majesty or prominence of the soul.
A transformation for one night into an adventures experience.Montblanc introduced its new travel line.This time in Berlin, the energetic, electric and engaging city, which also happens to be a common destination for travelers.The campaign is all about reconnecting.Reconnecting with the world to set the mark of the brand due to experience by giving guests the opportunity of visiting a cultural spot, which has been shut down for years.
The guests were journeyed through a travel tunnel to arrive in the heart of the Metropol, surrounded by projections of a variety of urban destinations.Montblanc created a new generation of entrepreneurs, trailblazers and urban explorers travelling the world with new Montblanc Nightlight Silver Trolley and the reimagined Extreme 2.
Sawaru is the new project from Flos that does away with excess and focusses on simple, compact devices that provide a clean aesthetic and simple functionality.A LED light source cylinder 43cm in length and 13 cm in diameter, Sawaru is constructed from aluminum and is available in finishes from black and white to bright gold and blue gray.
Two independent cylinders restfully lean up against one another for support, intercepting at a perpendicular angle; one acting as the supportive base and the other as a light source shooting out a beaming spotlight.Once again, Flos proves its commitment to designs that are user intuitive and simple; minimal in appearance and minimal in hassle.
The LED indicators on the pedal supply information about the status of the light source.Who am I, who do I want to become?Questions that we ask ourselves all the time.We always want to go forward and therefore we hardly ask ourselves whom we were.Through the years, our society changed by shifting into a fully technological civilization.
Polish installation artist Goshka Macuga created in collaboration with Fondazione Prada an intriguing exhibition that will be presented in the Prada Rong Zhai residence in Shanghai from 23 March to 2 June Macuga created an imagination of a post-Anthropocene epoch that gives a sense of the world after the collapse of humankind due to the affects of technological overdevelopment.
An android designed by Macuga and produced in Japan by A Lab presented already in by Fondazione Prada in Milan is taking you on an unexpected journey.The android proclaims in its repeating monologue that he is the depot of all human knowledge.This futuristic imaginative scenario no longer has a human perspective and reflects therefore on the dramatic question: In this story, the Android occupies all the rooms of the Rong Zhai residence wherein he is revealing his very own art collection: The Android is enclosed by a constellation of artworks produced by Italian artists, Enrico Castellani and Piero Manzoni who composed a language without images.
Lastly we see Alberto Burri, Lucio Fontana, Francesco Lo Savio, Salvatore Scarpitta, Turi Simeti and Giuseppe Uncini, presenting new experiments in order to overcome physical and symbolic boundaries in an unconventional way by integrating art more deeply into reality.The artists and their work each contribute in their own way to a new sense of human consciousness about an intimate habitat that may start its own existence at any moment.
Shapes are suspended and allow for unexpected movement with shoulders being shifted upwards and sleeves to be raised above shoulders.Hooded coats and incognito collars feature, as do lengthly trench-coats and robes which conceal a form and creates a concealed sense of mystery and anonymity.
In classic Parisian style, outer-layers can be opted for wrapping and allow silhouettes to flow freely.The brand enlists a more modern, mode take on the cocoon shape made from fake shearling and soft outer-layers.Kick skirts follow this theme, constructed from embroidered tweed and fake leather.Almost horned at the shoulders, biker sleeves are reworked to create volume, as are the extended and cropped pants.
Angularity and fluidity mingle with one another in this Winter collection.Building atop of the existing Balanciaga vocabulary that defies convention, new logotypes interplay with old ones, creating a harmonious balance between practicality and tension.It has been a very short time since her debut, but Marine Serre has already conquered the industry.
The cutting edge attitude and vision have come strong at the latest show during the second day of Paris Fashion Week.If last season we witnessed the collection on a bridge in the 18th arrondissement, this season set was poles apart: Marine Serre dives further into her fascinations about fashion challenged by the current global eco-war: This season she envisions a post apocalyptic time where humans strive to survive in an underworld made of infinite darkness, waiting for the right moment to resurface.
The earth will soon be devastated and we will all forced to live underground waiting centuries for the air to be breathable again.Fluorescent catsuits with the signature crescent moon, flowing scarf—dresses obviously up-cycled scarves and coats with big furry collars, all reminiscent of night creatures.
There were anti-pollution masks created in collaboration with French specialized brand R-Pur, but also beautifully Marie-Antoinette garments constructed with couture skills.The denim, the plaid checks up-cycled from picnic blankets.Marine Serre is not just having a new vision but she is also a very skilled designer.
She is creating a new credo and we are all already subscribing.An exciting aspect of the collection demanding mention is the eco-sustainable fabrics.Garment dyed jackets and flowing long-sleeved shirts are exceptionally made from biodegradable fibers extracted from eucalyptus trees targeting the environmentally conscious Boggi Milano man and offering a newfangled language and approach to fashion.
Other suits come in sienna red earth and ice grey.The highly popular bestseller polo-shirt is available in an updated range of colours and fibers.Another highlight is the reversible raincoat: This use of hybrid elements is replicated in the exceptionally lightweight Aria jacket-shirt.
Textured printed jerseys atop jackets add a third dimension to the piece, and monochromatic, warm, earthy colours are split up with detailed, decorative patterns.Designed with a sense of practicality and understated class, the collection is ideal for Spring weekends of outdoor exploration and urban travel.
Balmain is one of them.The Parisian brand Balmain headed by artistic director Olivier Rousteng in collaboration with the architects of Studio AMV created a true residence for the brand.The 'house' of Balmain is a very idiosyncratic expression rooted within classical Parisian residential architecture.
It contains ten specific living spaces; a garden, a living room, a boudoir etc.This boutique reflects the idea of 'classics, with a modern outlook.The designs are classic, elegant silhouettes derived from the most luxurious contemporary materials and prints: One house hosting a conglomerate of different voices.
A creative hub of concentrated genius channels multiple energies and pushes visions that speak to all generations of customers.Moncler has thrown out the rulebook, promoting access as the very highest form of inclusivity for contemporary customers in this digital era.Moncler will open the Moncle Genius building to the general public on 24th February.
Different rooms harbour different visions, each one operating singularly and isolated from one another, the sum of which manifesting as the Genius Moncler identity.The classic human form is utterly redefined through the use of artful language and unique lenses from the designers.Swirling silhouettes swarm the space in the couture lines, the extravagance confirming the freedom philosophy of the brand, unshackled by conformity.
International heritages from vintage to urban to military to tech are made full use of, showcasing an open roof of ambition and relishing in demolishing boundaries.Manipulating fabrication with a keen awareness for space, Moncler joins the body with materials and with the space they inhabit in a incomparable, thrilling way: He represented the DDR with a typical aesthetic that not only told the story but also made it feel as though you are part of it.
In he started his empire as a freelance fashion and journalistic photographer.His authentic and spontaneous approach created exceptional photographs that told a personal story and at the same time expressed a certain aesthetic.The work has been published for years in East Germany's leading fashion magazine, Sibylle.
His first solo exhibition in presented in the Kunsthaus Grimma had a big impact.His nude models were exposed as strong natural women with a lot of self-confidence, which made them seem almost sculptural.His work has depth and went beyond merely showing a naked woman.
He left a memorable oeuvre behind that will always be remembered as one of the leading signatures in German photography.The outerwear emanates warm tones of yellow that transcend into almost neon flourescence along with intense oranges, optical whites and classic blue denims.Silver and gold metal fibres also make an appearance.
The garments are simply ideal for the traveller in virtue of being extremely light and foldable, able to be fitted into travel luggage and smaller cases.The urban section features lightweight lycras that are highly breathable and suited for warm Spring temperatures.Classicism also infiltrates the entire collection with simple cut shirts and trousers from sartorial models.
Soft to the touch fleeces are enriched with Oxford fabrics.Fuss and excess are deliberately stripped away in the search for pure essentiality and necessity in designs.Technical glamour blends with colours, shapes and fabrics in perfect Italian style.A new generation of pioneering musicians is taking over!
They are a DJ, a producer and an artist all at once and continually explore their horizons by entering into surprising collaborations mostly based on improvisation.He can play almost every instrument both electric and acoustic with a focus on bass guitar, electric guitar, keyboard, saxophone, and he also has a modest jazzy voice.
FKJ seems to be in a very relaxed vibe during his performance.He does not talk or sing much; he just plays in a very sincere way.But when he sang live, it was more like he was talking, telling short stories.His keyboard and saxophone solos sounded like naturally improvised sessions that just aroused on the spot.
Despite FKJ being alone, he looped his riffs and solos to give the illusion of a fully performing band of at least five members.While doing this, he mixed-in these earlier collaborations, giving the impression of Misch and Masego really being there.Making music is acting from the soul for FKJ.Rhythms are relatively simple and there is a lot of repetition, but the way in which all the layers flow into one another is the music of FKJ.
Sit down, do not think about it, and do what feels right.Enchanted by clear pencil lines that tell more… Designer Conny Groenewegen captures her imagination into spatial drawings that make you almost part of it.The boundaries between 2D and 3D are a continuing signature in her art.
With a background in Art and Fashion, specifically knitting, she created a special relationship with interlocking loops coming from one continuous thread.When you make another manoeuvre, the pattern breaks.In conclusion: By changing forms, textures, materials and settings, new interesting insights appear and create another perspective to redefine the type.
Photographer Anouk van Kalmthout photographed the artwork and created a mystifying universe.The picturesque, colorful and especially abstract landscapes give a dreamy feeling which impersonates this association of free interpretation.The lively use of light and shadow in fusion with the disorienting perspective gives this artwork a free sense to express.
Anouk van Kalmthout; model: Yokaw; set assistant: Juliette Lizotte; production: Charlotte Corstanje; creative direction: Conny Groenewegen.The installation gives the spirit of German-Jewish surrealist painter Felix Nussbaum an unexpected rebirth.His art gives an artistic insight into the life of one individual among the victims of the Holocaust.
He was that individual itself who lived for a long time in fear of Nazi terror, a fear that has always characterized his work.Waldach's spatial drawing embodies the center of existence in a distorted cube.With frightened excerpts and thoughts in the background coming from letters written by Felix Nussbaum.
Every wall illustrates a component of existence.On the wall of the "brain" the star of David is portrayed.Waldach emphasizes this idea with white and black lines that merge and mirror the visible and invisible world of a fearful life.Through it weaves a red thread that reflects the lifeline of Nussbaum.
A line that indicates how the fate of a young Jewish artist led to atrocious persecution.This artwork is an ode to Nussbaum, but at the same time it is also an analysis of the life cycle.The individual circle of life is characterized by the endless creation and passing of different stages of activity.
Between birth and death we experience situations of departure, separation, isolation, doubt and the constant presence of existential fear.The course of a life is a line of actions and reactions that an individual experiences.The exhibition can be seen until November 10, An environment in which everyday culture diminishes as soon as it becomes night, and the alter ego emerges.
Fan, is fascinated by the diverse palette of personalities that this city and its karaoke bars by night posses: As soon as they show up under the neonlights, old memories emerge and they all come closer to their icons and idols.This euphoric change is an immense inspiration for Fan.His collection forms a tribute to various personalities, individual songs and memories from back in the day.
By using animal prints, variations of loud colors and textures, a playful effect arises in the light of the mirror pole that characterizes the mystique of the karaoke nightlife.When arriving at the venue, housing the Mobilier National - the French national supplier of furniture to the royal family first and every official building — the guests were thrown into an ecstatic moment of appreciation: As magnificently as the upholstery in the background, Nichanian created a modern and extremely sharp Menswear both in the silhouettes and in the intentions.
It is rare today to see a Fashion house not to be tempted to create pieces draw from the current need for the extreme.Take the beautiful leather carrot pants declined in all colours, from blue to caramel.Combined with knitwear or with leather bomber jackets with geometric contrasting elements.
Or the oversized shearling and leather trench in a splendid burgundy tone.Suits appeared sharp and worn with them with a roll-neck or zip-neck jumper in iridescent colourful hues underneath, giving a smart take on suiting.It was fun to see a dragon silhouette on bags reminiscent of the Chinese Zodiac The alluring power of heritage once again flame in this iconic Frech maison www.
When Kris Van Assche was appointed new creative director at Berluti, the legendary Italian brand famous for its custom made shoes, there was a lot of excitement and anticipation for the new breeze this visionary designer would be able to bring.We have been all following him in the developing of his codes along the years: For his Berluti first show he worked on emotional elements dear to the brand: You can see every mark left by the coloured shoe polish in the years, the craft, the spirit of the time.
The appeal of manipulated leather was used since the fist look: Inside the monolithic black temporary structure built at Plateau Joffre stands a 76 meter long moving walkway where models stood still.Kim Jones is sure to have a particular sense of spectacle: A Mona Lisa reinterpretation and other pen work by American artists Raymond Pettibon infused across the collection giving a strong graphic spirit.
What strikes is the silk stole applied around a pinstripe suit or along a cashmere coat extending till the floor.It is so subtle but so showstopper.Kim Jones created a new masculine attitude at Dior Homme taking also elements dear to Monsieur Dior like his panther print, reinvented in this collection alongside other animalier gestures that extend to scarves, jackets and sweaters.
Kim Jones stays true to his own language: The saddle bag is reinvented once again and worn cross body on the tailleur oblique.The high craftsmanship and elegance of Dior fuse with the techno fascinations of Kim Jones vision.The Parisian brand Givenchy chose this season to present a new vision characterized by contrasts and eclectic tones.
This look finds its roots in 90's maverick; an attitude that is represented by personal color-blocked suits with special embellished pieces in embroidered leather.Artistic director Clare Waight Keller introduced a new way of creating in this collection by playing with different volumes, and mixing lean lines with loose and oversized pieces.
The mix of bright colors interspersed with formal shades gives a dynamic, surprising feeling to the classical Givenchy textures.Experimental forms such as three-headed monk shoes are alternated with mid-calf shoes.Also thick platform shoes from the Givenchy pre-fall collection, together with the higher biker boots, the talisman charms and the seal rings are still Givenchy's leading niche.
Style codes dualate on each other's borders but still express the elegant Parisian spirit.Following stints at Vogue Salon this was her first major showcase on her own.Each one of her designs is handmade using couture techniques and features strange details that con only be produced by wild imagination.
In a city that never really conforms or grows up, these quirky looks work.And everything is blurred.We see a shirt with balloons and crocheted cords that could've been stolen from her father's closet.Or a denim jacket, which is covered all over with small hand puppets.
One great example of this are the extra-long gloves made of neon hair ties.Fendi achieves the fine balance between venerating the distinctive staples of the brand whilst subverting the notion that tailoring is characterised by clean cut, stark symmetry.Beautifully fabricated sleek a-line jackets with sharp shoulder cuts, flared trousers softly secured around the waist, leathers and furs feature are all expected features however the bags and accessories are perhaps the most notable feature in the collection, creatively devised and expertly crafted.
The dynamism of featuring asymmetrical half-half jackets and overlayers reminds us that this formula is available for adaption.The integration of bold, intrepid urban staples such as oversized anoraks and quilted puffer jackets stitched with colourful inner linings excite the collection with a freshness that never oversteps into the core essence of Fendi.
The collection loyally adheres to palettes of sharp blacks, metallic sheens and classic neutrals focussing on rich chocolates, nutty browns and creamy whites.The occasional dash of bold reds, yellows and oranges seen in the sleek footwear trimmings is a clever, understated touch that adds a subtle flair of zest and contemporary edge to the collection.
Franz West is widely known and revered for his year career that features notable highlights such as his series of Adaptives in the s, his Lemur-Heads scattered around Vienna as well as his use of unconventional materials in building furniture and his famously colourful work with paper mache.
For Franz, the meaning is not some ungraspable, floating figment in the ether.Rather the meaning is what we decide to grant to it and is the various experiences that are evoked upon our direct, personal interaction with the given piece.We are the essential, necessary final piece of the puzzle.
Our realisations, our relationship and our connection with the pieces are paramount and take priority focus — how we respond, what we evoke, what we discover.Artist first, model second, Sang Woo Kim has collaborated with Giorgio Armani on a special digital project — to creatively interpret FW18 from behind the scenes.
Fine art is his first love, where his instinct began to drive his inspiration.Sang Woo translates literally to: Through this collaboration, I wanted to capture and transmit with my photos this shared feeling of romance, masculine sensitivity, and elegance, and in a completely uncontrived way; thus staying true to the vision of Mr.
Dries Van Noten has been synonymous of effortless since the beginning, more than 25 years ago.We have tasted surely during his th show where pieces of all past collection where carefully selected and carefully re-arranged together.The Spring Summer , the first Womenswear show after the news of the recent majority acquisition by Spanish conglomerate Puig, was set at Palais the Tokyo and its clean environment.
Many saw it as a symbol of a new start, a new beginning.But the collection proved that Dries van Noten aesthetic is as strong as ever.The workwear jumpsuit with the upper part pulled down at the waist and work as a decorative bow belt felt the quintessential Dries van Noten: Fluorescent-like huge palm threes designed by artist Vincent Lamouroux looking at a glittering Tour Eiffel at dawn, where a stunning pink red light pervaded the whole Trocadero.
And models walking on water.It evoked our desire of Summer, of far-away places like Yves beloved Morocco.Vaccarello showed a collection true to his aesthetic, shorts in all declinations, mini dresses and several version of tailored tuxedo ensembles.But also Western America style looks and a series of sheer fluid dresses.
The hats, the bow shirts, the knee boots: As the last looks glided on the water with long fluid animal print chiffon dresses the reference built up strong.Running late to her own wedding in a black fitted leather jacket and incorrigibly spraying her favourite fragrance in front of an astonished marriage officiant interrupted as he reads the vows, the 80s Rive Gauche perfume advertising could not be more on point: Definitely not for the modest woman.
Touch entry, touch seating, touch steering, lights on lights, touch on touch, screens on screens.This is the automobile of the future.The iNext is a divisive innovation that reaches further than expectations can begin to fathom.However, this is the best place to start.The meticulous exterior harmonizes precision design.
Every single line is conscious and purposeful.The wheels look as though they have escaped from Area 51 at their own free will, while the interlinked double-kidney grille evokes authority through clearly sculpted form and surfaces.Even the paintwork traveled back in time, the Liquid Greyrose Copper exterior changes in shade and humidity injecting the vehicle with a charismatic flair.
A gentle swipe, where one would imagine a handle to exist, triggers a crisp opening.The world beyond beckons.Every object is designed as if it were a single piece of furniture, reminiscent of your living room.The result is an utterly human car, released from everything.
The evocative nude tones marry seamlessly with warm green turquoise micro-fiber, lined with purple jacquard, a traditional method that finds itself a place in the new world.The grace and splendor of the iNext alone are astounding, yet there is more.Shy technology.Shy tech abolishes physical controls from the entire cabin and replaces them with a gesture control system that is both intuitive and natural.
The simple task of outlining a music symbol on the fabric of the rear seat allows passengers to take control of the vehicles audio, yet another step toward an autonomous future.The iNext will not be an entirely autonomous automobile and will instead promise two driving modes, Boost and Ease.
Boost is the human interaction and Ease being the control of the vehicle itself.For now, the real-world driving experience is thin on the ground.Spring is a collection of growth to mark an iconic decade for Victoria Beckham.A decade in which Victoria has blossomed into an empowering stalwart of the fashion industy.
Anderson composed a fluid collection that recognizes the elaborate as refined.A celebration of fashion.Simone Rocha exhibited a cultured and sophisticated collection featuring tang dynasty prints and hand drawn faces.A romantic tribute to religious rituals surrounding births, weddings and funerals which bring extended family together.
The quiet presence of Escade erupted at the Park Avenue Armory.Tom Ford used New York Fashion week to return to his classical past, a class that oozes sex appeal, sensuality and luxury.The Tom Ford Spring collection maintains a strict palette of black, white, gray and nudes drawing from the sensual warmth of humanity we so often crave.
Life is made of details, those little gestures that day by day build up our personality.For dunhill, accessories function exactly to define a precise sense of uniqueness, which in turns comes out from a variety of multifaceted aspects that literally mirrors the brand's DNA.Elegantly shot by photographer Jack Webb in the streets and through the glass fronted buildings of Mayfair in London, the pictures present the firm beauty of model Clement Chabernaud.
Condition is Used.Dispatched with Royal Mail 2nd Class.Please take a look at my other items as postage discount is given.Outer fabric material: Washing instructions: Low V-neck.Open to sensible offers on applicable auctions.Please only bid if you intend to buy.Condition is New with tags.
Terracota with small White floral print.Stretch material.Size 8.It has a gorgeous rear criss cross strappy back detail.It is brand new with original tags still on.Please feel free to ask any questions.Pair with heeled ankle boots to lift the look.Ladies New Look black and silver play suit size 6 - spaghetti straps - v neck front and back - top fully lined - shorts unlined - ridged material with silver sparkles over entire play suit - great for the upcoming party season - only worn worn once so super condition.
Worn a couple of times, few beads missing but not noticeable when being worn, last worn for gatsby themed night.Only been worn once, in great condition with one small pull on the back shown on the last picture , gorgeous in the summer, can be worn casually or for parties or nights out.
Blue Cotton with multi-coloured Heart Pattern.Perfect for teenagers ! Waist 24" 26" 28" 30" 32" 34".Chest 30" 32" 34" 36" 38" 40".Ladies pretty New Look jumpsuit.With adjustable straps.New with labels.Results pagination - page 1 1 2.Got one to sell?Make an offer.
New look Animal Print Jumpsuit Shop by category.Size see all.Style see all.Colour see all.Size Type see all.Plus Size.Not specified.
Hong kong Spaghetti Strap Belt Loops Plain Sleeveless Jumpsuits
Exclusive design for an exclusive experience.Both form a storytelling interaction by consisting an arrangement of frames, supports and structures that shape a chaotic and absorbing ensemble of divergent narratives.For now, the real-world driving experience is thin on the ground.Made of breathable and water repellent technical fabrics, the jacket features an adjustable hood, waterproof zippers closing the pockets and ribbed cuffs over long sleeves that exhibit a printed logo on the arm.Collaborating with a kebap stand despite its iconic stature in pop culture defies normality.
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